
A Fresh Look at André Spears’ “From the Lost Land I-XII”
“And it is all held together in an irrepressible delight in language and what happens when language and imagination are unleashed and told to have a good time.”
“And it is all held together in an irrepressible delight in language and what happens when language and imagination are unleashed and told to have a good time.”
“Whether [Jenny] Xie’s volume was long in the making or came out in a fiery burst (maybe both, by parts?), it is a work of substance, worthy of its current high reputation.”
“Edgar Kunz, the author of Tap Out and Fixer, does not refer to himself specifically as blue collar, proletarian, or working class. Well-meaning others, such as mentor Edward Hirsch, do so, referring to Tap Out as ‘gutsy, tough-minded, working-class poems of memory and initiation.’”
“Whatever one may say about the People’s Republic of China today, it once offered the model of the poet-emperor, as well as poets employed in political life, wedding governance to lyric spirit.”
“By that token, perhaps Bianca Stone is just the poet for our times. Her verses wrestle with a dirty angel, one that bites and kicks. There is no snow-white falcon in her pages. But she does not quit.”
“The Dream Apartment is no Barbie’s Dream House. It is rather an abode of opaque and backlit, sometimes hard-edged reverie.”
“Avoiding these truly current, red hot issues, the women speak past each other.”
“On the basis of viscerality alone, Gran Turismo is worth the price of admission for the two-hour cruise along.”
“I cannot argue with his characterization of Foucault, Derrida, and Barthes as a ‘triumvirate of stooges,’ but with me, he is preaching to the choir. How will he convince the postmodernists?”
“Amid this exchange about the importance of recentering the essential literature of our history, I posed to Mac Donald a question that has been on my mind since my days as a student at The Haverford School: Should one make a habit of reading the same book twice?”
“My own song ‘Alabama’ richly deserved the shot Lynyrd Skynyrd gave me with their great record. I don’t like my words when I listen to it. They are accusatory and condescending…”
“But the price of that fame and quasi-divine status took its toll. ‘Immortality had its costs,’ Porter writes, ‘and Homer paid for it dearly.’”
“Freeman’s book, as the author acknowledges, is written as something of a eulogy to this great man of antiquity, who has captured imaginations for two millennia.”
“Almost all the key events of modern Europe were seen through the eyes of this painting, which Collinsworth vividly brings to life in her writing.”
“This is a story about the meek inheriting the Earth.”
“Much like the United States itself, the story of Yellowstone is one of tragedy and hope, defiance and cut-throat ambition, beauty and terror, charity and callousness.”
“One of the spiritual overtones present in Father Stu is one important to Christian teaching: the merit of suffering. The Christ-like endurance of suffering is particularly embodied in Long himself.”
“Rubens is my favorite artist, in part, because his paintings capture the totality of the human condition in its fleshy, pathological, and metaphysical realities.”
“Athens: City of Wisdom is a tour through over 3,000 years of the history of a city that has such imaginative sway and spiritual power over the hearts and minds of so many people around the world today.”
It has been 50 years since The Godfather was widely released in the United States on March 24, 1972.
“In this rousing story, [Roosevelt] Montás concentrates on four particular ‘great authors’ that embody and encapsulate the human condition who shaped him: Saint Augustine, Plato, Sigmund Freud, and Mohandas Gandhi.”
“Love is the central theme of Dante’s Vita Nuova and Divine Comedy. It is from love that new life begins. It is in love that life is sustained and made pleasant.”
“His culminating chapter is a love letter from his heart of his life spent in literature, his life as it matured for himself, and he has given himself and his favorite books to us to discover afresh and anew.”
“However, in his uncompleted sequel to The Lord of the Rings, The New Shadow, as well as The Silmarillion, Tolkien presented a different vision of human nature, one that is more realistic and more concomitant with his Catholic upbringing.”
“Odysseus has before him the fantastical dream of every man: immortality and sex. He ultimately gives that up for mortality with his family.”
“Such politicized readings of the last 50 years miss the profundity of Ovid’s inclusion of the story in his grander poetic agenda of love being the constant star in the midst of a world of violence and transformation.”
“Sayles’s 1996 film, Lone Star, is arguably his greatest work to date. And after 25 years, given the tensions that continue to circle around issues of race and immigration, it certainly has not lost any of its original force and relevance.”
“Young Americans, myself included, need to resist the impulses of the day and keep striving. We may never be Bond types, but the quest for self-improvement is the point. To strive is to live.”
“One hundred years after Fitzgerald’s great novels, we are living in the same world as Nick Carraway, Amory Blaine, and Jay Gatsby.”
“In many ways, the book also reads as a eulogy to a liberal, liberalizing, and internationalist America.”
“Why, after all, should it be ‘pro-test,’ and not ‘de-test’? Protest once meant to give testimony in pro of something good, over and against something corrupt.”
“Scruton loved Wagner. The two were a match made in heaven, or hell, depending on your perspective and appreciation of irony.”
“Two millennia later, we are still warring over the meaning of Virgil’s Aeneid.”
“Odysseus is the first recognizably Western man.”
“This is not a clear-cut struggle between good and evil, especially when enemies could come from within as well as without. Rather…it is a war between one good and another.”
“In the end, these are movies about redemption and what it means to be redeemed, whatever the struggle in getting there.”
“It is a short and gripping panorama of life in 1920s-1940s America, that defining epoch of struggle and stardom, hardship and grandeur, fortune and bankruptcy—and Bugsy Siegel experienced it all.”
“The problem is that this story of Mozart that we think we know is not true at all; thankfully, Jan Swafford is here to correct the problem.”
“In a novel to be released later this month, Hornblum—perhaps best known for his 1998 non-fiction book Acres of Skin, which centers on different events at Holmesburg Prison—retells the calamitous events of August, 1938.”
“Both Ortega and Orwell concluded that the Left was in trouble as a result of these developments, and their analyses and diagnoses pointed the way forward to the situation we have today in the West.”
“While not all of his essays are explicitly moral in orientation, nearly all of Plutarch’s essays have moral instruction and guidance baked into them.”
“As McDowell suggests, it was the liberating and open environment of humanist education that moved Milton more than any theological or political zeal, and it seized Milton at an early age.”
“Those who are adamant that love will trump hate, heal the world, and divinize us are not articulating anything new. The Greeks are still singing to us the songs of humanistic love as the spirit that will heal the world.”
“Vance’s critics could benefit from a basic overview of the difference between a primary and secondary source, and between the personal and the systemic.”
“Therefore, in the spirit of diversity and exploration, I have compiled a list of what I see as the ten best novels on modern British identity, to remind us that British identity is not exhausted by the referendum divides…”
“Lying Bastard is a work of the zeitgeist. Disgruntled intellectuals. Returning war veterans just beginning their higher education. A school shooting. The fraud of academicians. Societal exploitation.”
“The ultimate message it proffers—Ubik the substance, Ubik the book—is one of self-determination despite humanity’s manifest lack of control and certainty.”
“What is a classic? What is an epic? These two questions loom over any reader of Gone with the Wind (and great literature, more generally).”
“Reading it specifically in the context of the current societal struggles and apparently widespread cultural conflicts occurring in the United States today, the myth imbues the reader with a redoubled vigilance.”
“Just as it was in Shakespeare’s time, the questions of justice, mercy, and society remain as relevant as ever before, and we have much to learn from the great bard of Anglodom.”
“For all the battle scenes, violent sex, and rage that fills the poem, the most memorable scenes in the poem are moments of love—especially loving moments of embrace.”
“This is an art which no longer presumes to speak to or for the general public. Such an art “assails all previous art” and even “ridicules art itself.”
“But, as I found myself stumbling in my response to my sister, a more elemental question arose: Can we read Moby Dick?”
“Aeschylus’ tragedy represents the most elemental aspects of our human condition: all human flourishing comes with a cost.”
In the words of German poet Henrich Heine: “There is a God, and his name is Aristophanes.”
“But Aeschylus’ cosmos goes beyond Homer’s in presenting Reason, Persuasion, as an integral aspect of the cosmos that was otherwise absent in Homer.”
“Any civilization or culture is itself a vast dynamic interpretation or, we could even say, a vast dynamic work of art.”