For Whom the Nobel Tolls: Tomas Tranströmer’s “The Blue House”

“The lines, like long, rolling ocean waves on a cold Baltic sea, create their own reasons, their own rhythm, their own understanding. Anaphora is used, as Whitman did, to summon us to the great historical pageant of life, of happenings beyond our immediate knowledge.”
Timeless reading in a fleeting world.

Journalism
Commentary
Poetry
Merion West is an independent publisher, celebrating the written word since 2016.
Join Now
$3/month Free
If unable to pay, click here.
